Allie’s photo gallery

Without much thought, I handed visiting Allie my camera and let her take pictures around the farm. After she’d disappeared from sight, I did start wondering if the camera—500 bucks to replace—was safe. But if this six-year-old can, just from watching, efficiently harvest sweet potatoes with a digging fork about as tall as she is, she should be able to handle a point-and-shoot, right?! Right! First, I showed her what button to press to take a photo. A few pics later, I showed her how to use the autofocus (“point at whatever, hold the button down halfway till it beeps, wait till the rectangle turns green, then push all the way!”). That went well, so I showed her when and how to switch between normal and macro mode (“turn the dial when you want to shoot up close”), which is how she shot the Bulls Blood beet (above). Wow, that was easy!

She took around 40 photos in all. Above, mom Michelle rinsing beets, below, her little sister Violet, with carrot. Kids, digital technology, and the field…all part of the TFE! (Guest photos by Allie)

Photo shoot!

What a funny thing: an instant photo shoot in the field! A few days ago, I (reluctantly) did an interesting-people-in-the-community interview/profile for one of the local newspapers, and early today, I got an email asking for a photo, or the columnist could come out and snap one. They were on a same-day deadline. I said I’d send something along in a couple of hours. Shannon (who’s here every day till June) was working with Raechelle, here on her day-a-week, so I asked them to come up with the photo concept, location, and do the, uh, art/set direction—anything but a typical, kinda impersonal shot of a guy with a field in the background. Karen (Bob’s partner) had dropped by in a wheelchair, her first time at the farm in weeks since breaking her leg. She takes nice pics, so I asked her if she’d do the shoot, and wheeled her into the field with my camera. The concept was: S and R would pretend to mulch the garlic (the mulching’s done, but it’s the only really visible crop in the field), and I’d be around, holding a…well, digging fork (closest thing to a pitchfork, I guess). Anyhow, Karen snapped away, and for an alternate they came up with feet in the air. We emailed both, with a tighter cropping on the top one so it’s about square, with the left chopped out. I found it quite hilarious, because in a past life, I’ve attended and organized “real,” sometimes ridiculously expensive, studio and location photo shoots, with creative meetings, stylists, props, shooting permits and cops detouring traffic, the whole bit. Recreating all the basic parts in an hour or so, in the field, with whoever was around, was great! Devolution on the tiny farm… :) I wonder which one they’ll pick… (Guest photos by Karen.)